The time is 1920. A girl from the tribal community is kidnapped and taken away by Britishers who use her as a slave. It is the responsibility of tribal guardian Komaram Bheem (Jr NTR) to save the child and bring her back home to the mother she adores. The scene of the action is moved to close to Delhi. In a counter-operation the British recruit Alluri Sitarama Raju (Ram Charan) A brave policeman to stop Bheem from creating destruction. They aren’t aware of what will happen if they make this mistake. The result is a catastrophe the British will not be capable of surviving.
If ‘RRR’ had been created in a conventional way it would have been able to see the first friendship episodes. Then, Alluri’s hidden agenda was revealed as a way to reveal an ‘element of twist’. However, the screenplay of SS Rajamouli is very linear. This is what makes ‘RRR’ an unpretentious and non-gimmick film. Writers of the story Vijayendra Prasad and screenplay-writer Rajamouli enhance the characters with the use of their Midas Touch.
The first scene is cut up in a delicious way before the title logo screen comes on 30 minutes into the film. Alluri known as “The Fire is solid, steady and carries within him the most anger. Komaram Bheem also known as Akthar also known as “The Water” is a pure-hearted character He is easily hurt and trusts Alluri like a little child. The characters are outstanding. The audience is aware of them better than they do about one another. This is why ‘RRR’ is clean and clutter-free.
Jr. NTR’s amazing performance is a dazzling highlight just like Charan’s incredible acting. The first one shows the fear of his eyes, his warmth through his voice, passion in his speech, and his passion for life without a trace. The latter, who lives his name as a Mega Power Star, powers up entire scenes. The range of characters is vast, from hidden identities through outright risks, and from light humor to an intense friendship “RRR” has a rich, rich feel.
The introductions from Bheem and Alluri are a story of their own. Both have to escape death. This means that Bheem and Alluri will be facing numerous difficulties during the course of their film. At some point the risks they face exhaust us out. It shouldn’t be happening but it’s a film by Rajamouli where the spectacle dominates the film.
Alia Bhatt’s Sita is not written. She only gets one episode, and that’s that. The scenes that show night effects are shot well because of film director KK Senthil Kumar. MM Keeravani’s BGM for the scene where Alluri’s transformation is displayed inside the prison is creative.
The intermission block, in which two of the lead actors as well as several animals are in the scene, is among the toughest action blocks ever. The editor A Sreekar Prasad and the action department have surely gone through a lot in order to create an eye-catching. The final scene is another standout.
The second part is weakened by the dull and excruciating background. It’s almost like it was written to be that long. Did it happen in order to take in Ajay Devgn, who is a Bollywood actor?
“RRR” is based on too numerous low-hanging fruit. Olivia Morris’ Jennifer easily falling in love with Bheem is not just clichéd yet also distracting and a bit clumsy. It’s like the sexy and sexy template of “Lagaan’. Its British characters are predictable and monotonous, bringing to mind the uninspired ‘Sye Rea Narasimha Reddy’ at times. Sometimes the pacing issues are made worse by subpar writing of dialogue. Sai Madhav’s lines accomplish the function but lack amazing peaks of energy.
The flashback with Baba (Ajay Devgn) and others is loaded with familiar themes. The length of the film should be reduced (as it stands the film is three hours long). The dialogues are purely for entertainment and don’t enhance the scene however, good care is given to the music. “Naatu Naatu song is always the classic touch for all time. “Komaram Bhheemudo” is concluded by a familiar trope, however, Tarak’s powerful performance and Charan’s incredible acting skills make it unforgettable.